Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

Friday, December 31, 2021

That Wonderful Year in Music... 2021

  



Remember what I said last December about how arts and culture frequently mirrors its time and surroundings? 2021 was a slog, only marginally better than 2020, but not without its slow-burn trauma and various frustrations. Bands finally started performing live again, and festivals returned in a smaller, wonkier fashion. The true output of 2020’s duress blossomed in ‘21, not only in music but most forms of media. This was the strongest year for pop music in a good while, but indie rock and rap also had some highlights. For all my personal stuff this year, however, Spotify remained a refuge, and I’m glad I paid to listen to all of this without commercial interruption.


BEST POP/ROCK ALBUMS:

1. Jubilee, Japanese Breakfast. Don’t let radio overplay of “Be Sweet” perturb you. This throwback to early 2000s chamber-pop is a delightful mix of melodically immediate songs and gorgeous songwriting, with surprises at every turn. Between this and her well-received memoir, Michelle Zauner had an incomparable 2021. 

2. For The First Time, Black Country, New Road. 2021’s most fascinating debut album uses punk as a base for this British septet’s uncanny musicianship and myriad experiments. The leadoff track “Instrumental” is celebratory klezmer, which segues into “Athens, France,” a track that evokes late 80s indie rock heroes Slint. A second album is already in post-production and set for a February 2022 release, and I can’t wait.

3. SOUR, Olivia Rodrigo. If my #2 album was the most fascinating debut, then SOUR was the most revelatory. Without delving into the “voice of Gen Z” cliché that critics overused, this is a pop record as self-aware as any in recent memory, devoid of filler and a solid sampler of Rodrigo’s varying musical tastes. “Drivers License” is a gorgeous ballad, and “Good 4 U” is a deliriously brutal emo-punk breakup song.

4. Sometimes I Might Be Introvert, Little Simz

5. Any Shape You Take, Indigo De Souza

6. Collapsed in Sunbeams, Arlo Parks

7. Valentine, Snail Mail

8. Call Me If You Get Lost, Tyler the Creator

9. Ancient Dreams in a Modern Land, Marina

10. 30, Adele. After six years of relative silence –give or take an embarrassing Instagram post or left-field SNL hosting stint– the British singer’s fourth LP is her most intimate and unguarded work. Ms. Adkins is a divorced mom now, and she’s going through some stuff. “Easy on Me” breaks down the split, while “I Drink Wine” pairs well with early Elton John. 

Honorable Mentions: Conversation Peace, Damu The Fudgemunk; Cool Dry Place, Katy Kirby; Bless My Psyche, Sincere Engineer; Soursob [EP], Soursob; Ignorance, The Weather Station.


BEST JAZZ ALBUMS

1. Promises, Pharaoh Sanders & Floating Points. Even when an album is only jazz in the loosest sense –this could arguably be an electronica album, or classical, or as Yusef Lateef would call it, just music– this was an album about healing when we needed it most. The 80-something Sanders juts from one idea to another, with Floating Points (British composer Sam Shepherd) building a lush sonic playground that the sax great can bounce around on.

2. Sounds from the Ancestors, Kenny Garrett

3. Uneasy, Vijay Iyer/Linda May Han Oh/Tyshawn Sorey

4. Metamorphosis, John Moulder

5. Luna '68, The City Champs


Honorable Mention: Triangle (Formwela 1-3) [EP], Esperanza Spaulding.


BEST SONGS (outside of the albums previously mentioned)

"Girls & Boys," Viagra Boys

"Impostor," Miss Grit

"All You Ever Wanted," Rag n' Bone Man

"Fire for You," Cannons

"Pay Your Way In Pain," St. Vincent 

"Hey Michael," Wallice

"Remember That Night?" Sara Kays

"Rainforest," Noname

"Scratchcard Lanyard," Dry Cleaning

"Lilys," Warpaint


"City Wide," Sean Danger Smith

"Midnight Wine," Shannon & The Clams

"Folie a Deux," Mach-Hommy feat. Westside Gunn

"Freaks," Surf Curse

"Jeff Goldblum," Mattiel

"Telepath," Manchester Orchestra

"The Hardest Cut," Spoon

"Paranoia Party," Frances Forever 

"BFIOU," Birds of Maya

"Right on Time," Brandi Carlile


BEST VIDEOS

1. "Montero (Call Me By Your Name)," Lil Nas X. The devil made him do it.  

2. "If You Say The Word," Radiohead. You really can't expect any Radiohead clip to be happy-go-lucky. This satire of late-stage capitalism is somewhat ambiguous about who is the hunter, but there's little questioning who's the hunted.

3. "Delusions of Grandeur," Bad Waitress. Not *quite* a "Midsommar" pastiche, but damn, this Toronto quartet can hit the power chords.

4. "Arrows," Red Fang. Ooh, a sword! 

5. "Worry With You," Sleater-Kinney. The best video of 2021 clearly inspired by the early days of the 2020 pandemic.

Honorable Mentions: "Be Sweet," Japanese Breakfast (“Friday nights on UPN”) and "Chaise Lounge," Wet Leg (Is this considered cottage-core?)

Your thoughts?

(686)

Thursday, December 31, 2020

That Wonderful Year in Music... 2020

 Arts and culture frequently mirrors its time and surroundings, and this massive kidney stone we call 2020 demonstrated that in spades. (I know I said pretty much the same thing about brilliance under duress in 2016, but it still applies.) Even though most of us couldn't go to a movie theater or attend a music festival, there were artistic achievements to celebrate. A uniquely weird year certainly wasn't a bad one, and if visiting the record store wasn't an option, then we all knelt at the throne of Spotify in 2020.


BEST ALBUMS 

1. Fetch the Bolt Cutters, Fiona Apple. In a year where up was down, left and right, and nothing could be taken for granted, the most outstanding release of the year was a literal shaggy dog story. Apple recorded this album with a tight quartet, on and off for five years, in between her rescue pets barking at her home studio in Venice Beach. Neither prolific (her third album since 2000) nor predictable, Apple takes any assumptions you make about her work --sometimes radically shifting a song at mid-course-- and throws it out the window. Bolt Cutters is jarring, cathartic, disarming, but above all very human. Odds are, Apple will disappear for another six or seven years, assume everyone forgot about her, then release another album that's even more astounding than this one.

2. Saint Cloud, Waxahatchee. Trading the defiant alt-rock of her fourth solo album for a contemplative, country sound, Katie Crutchfield turned inward to fight off getting complacent. Newly sober and in a state of introspection, Crutchfield's Alabama twang sounds wry and effortless. She's in a new chapter in her life, she insists, but the story is still being written. 

3. RTJ4, Run The Jewels. In a word, searing. Always killer with minimal filler, RTJ's beefy revolution anthems were both a harbinger and soundtrack to a tense and violent summer. Police brutality, systemic racism, and class injustice are not new problems, as Killer Mike and El-P reminded us, and it's not going away anytime soon. It's a vicious cycle, and without any systemic change it will keep popping up in the news over and over again. 

4. Set My Heart On Fire Immediately, Perfume Genius 

5. Heaven to a Tortured Mind, Yves Tumor

6. Women In Music Pt. III, HAIM 

7. It Is What It Is, Thundercat

8. The New Abnormal, The Strokes 

9. The Slow Rush, Tame Impala 

10. Rough And Rowdy Ways, Bob Dylan. If 2020 was about expecting the unexpected, how about a nearly 80-year-old Nobel Prize winner putting out yet another outstanding album? Old Man Zimmerman was probably thrilled that he didn't have to tour for this latest release, where he locks horns with his legacy as well as his own mortality. As ever, Dylan speaks directly but remains elusive; he says he's weary, but has energy to spare. The last half-hour of this album (maybe his last, but who knows) has only two songs, both rambling in nature yet compelling to listen to and decipher. 

Honorable Mentions: Miss Anthropocene, Grimes; Letter to You, Bruce Springsteen & The E Street Band; All Thoughts Fly, Anna von Hausswolff.


BEST JAZZ ALBUMS:

1. Lianne La Havas, Lianne La Havas. Genre-bending (I debated putting on the above list) and overwhelmingly peaceful, La Havas' self-titled third album was written in the span of half a decade. Unlike Fiona Apple, however La Havas chose chill over catharsis. Detailing her split with her former creative and romantic partner, La Havas sings like a woman reborn, blending R&B, soul, and acid jazz while barely breaking a sweat.

2. Hero Trio, Rudresh Mahanthappa

3. All Rise, Gregory Porter

4. Canvas, Robert Glasper

5. Originations, Ryan Cohan

Honorable Mentions: Purple Dark Opal, Kuzu; Fearless, Sharel Cassity.


BEST SONGS: (in no order)

"All In My Head," Whethan & Grandson

"You Need Me," Nathanial Rateliff

"Blinding Lights," The Weeknd

"Hell and Back," Bakar

"Be Afraid," Jason Isbell & The 400 Unit

"I Will Run," Dawes

"Shangri-La," EOB

"I'm Alive," Norah Jones

"What's The Matter," Twin Peaks

"Savage," Megan Thee Stallion


"Boss Bitch," Doja Cat

"Aries," Gorillaz feat. Peter Hook

"Sorceress," Jess Williamson

"My Game," Zella Day

"You're Not Alone," Semisonic

"Fake," Lauv feat. Conan Grey

"Together," beabadoobee

"Get Weird," North By North

"See Monkey," Elvis Perkins

"Pienso En Ti," Levitation Room


Outstanding Achievement by a Song That Was Preceded by a 13 Minute Dirge About The Titanic, and Soon to Be Followed By a 20 Minute Ballad About the Hindenburg Explosion: "Murder Most Foul," Bob Dylan 

Best Song From 2019 That I Discovered in 2020: "I'm Ready," Black Pumas


BEST VIDEOS

1. "WAP," Cardi B feat. Megan Thee Stallion. Well great, the basement's flooded...

2. "Therefore I Am," Billie Eilish. The mall *looks* abandoned, but this clip was probably shot during regular business hours.

3. "Sickeningly Teeth," Melkbelly. A small army of Chicago-turned-NYC improvisers (including, ahem, some acquaintances of mine) remind you of the importance of flossing.

4. "3 Segundos," Melenas. A goofy green-screen pastiche of classic American TV shows, featuring Pamplona's modern-day riot grrls.

5. "Blind Youth Industrial Park," METZ. My annual heady, surreal, sci-fi/fantasy pick.

Honorable Mention: "Bad Decisions," The Strokes. Supplies are limited! Order now!

See you all in '21.

(668)

Monday, December 25, 2017

That Wonderful Year in Music... 2017


Trying times often make for great art. For us right-brainers, 2017 was a time to flourish: a strong year for cinema, another year of "peak TV," and from my vantage point a strong year for music. It was perhaps the strongest year of the decade for hip-hop, female-identifying singer-songwriters, and pretty much any rock musician who wished they were alive in 1976. In short, there was a healthy heaping of essential music these last 12 months, enough to satisfy any discerning appetite:

BEST ALBUMS:
1. DAMN., Kendrick Lamar. Kung-Fu Kenny's third straight masterpiece is the rare album that builds up to its best track. It looks like a back-to-basics effort yet really isn't: Lamar is going from extrovert to introvert, commencing an intense journey into his own psyche as he embraces fame and the incessant scrutiny that comes with it. (The success of To Pimp a Butterfly weighs heavily.) He's exhausted from fighting for social justice; he's only one man. The winding origin story "DUCKWORTH" sums everything up, an allegory and a plot twist that brings this sojourn full circle.
2. Masseduction, St. Vincent. The queen of art-rock has put another jewel in her crown. The whole album is a candy-coated electro-rock fever dream, reiterating the inevitability of bad decisions in the pursuit of decadence. In a year of frustration, Annie Clark's protagonists uncover the peaks and valleys of escapism as a coping mechanism, the blurry gray line between pleasure and pain, and the acceptance of cold reality.
3. Turn Out The Lights, Julien Baker. For full disclosure, I'm late to the Julien Baker party. I didn't hear her 2015 debut, the sparse and mesmerizing Sprained Ankle, until this past October. Lucky for me, her sophomore effort was nipping at my heels. At first, Lights feels like an extension of Ankle; Baker's voice is cracked but steady, the themes of addiction, suicide, and religion are present, and the songs are fragile yet haunting. The difference is that she's a little older (she just turned 22), a lot wiser, and she's finally confronting the ghosts that followed her into adulthood and sobriety.
4. Pure Comedy, Father John Misty
5. CTRL, SZA
6. Big Fish Theory, Vince Staples
7. Process, Sampha
8. Melodrama, Lorde
9. A Deeper Understanding, The War on Drugs
10. American Dream, LCD Soundsystem.  I see why James Murphy named their (now premature) farewell concert movie "Shut Up and Play the Hits." We all knew LCD wasn't totally done, but the decision to reunite and reinvent the band was a risk that paid off. The sprawling, seven-minute "Call the Police" is a candidate for song of the year, while "Black Screen" is a moving homage to David Bowie. Murphy has become the oldhead that gripes about other oldheads, but he still obsesses over what's cool.

11. Drunk, Thundercat
12. Semper Femina, Laura Marling
13. A Hairshirt of Purpose, Pile
14. 4:44, Jay-Z
15. Guppy, Charly Bliss. The year's most "fun" record is a 1990s alternative/power-pop throwback. A charming debut, the chirpy vocals of Eva Hendricks blends well with her bandmates' distorted guitars, mixing the shambolic with the sugary. It is no coincidence that Charly Bliss opened for Veruca Salt during their reunion tour this past year; they are worthy proteges.
16. I Dare You, The xx
17. This Old Dog, Mac Demarco
18. Pleasure, Feist
19. Waiting on a Song, Dan Auerbach
20. Hang, Foxygen. My last two picks on this list are interchangable. Where Auerbach's solo record exchanges fuzzy blues-rock for a warm 1970s AOR sound, Foxygen's sound has morphed into something evoking Honky Chateau-era Elton John, Atlantic Crossing-era Rod Stewart, and (above all else) glam-rock. Where Waiting is a fully realized mellow-rock affair (one song was co-written by John Prine) Foxygen's theatrical and often bonkers fourth album is at 32 1/2 minutes too concise and left me wanting more.

BEST JAZZ ALBUMS:
1. Fly or Die, Jaimie Branch. Not to be confused with the mid-2000s N.E.R.D. album of the same name, Branch's first album is an impressive, to-hell-and-back artistic statement. Her trumpet playing is free and abstract, and her crackerjack band (cellist Tomeka Reid, bassist Jason Ajemian, and drummer Chad Taylor) doesn't ground her so much as enable her serendipity. Branch has been a known commodity since 2007 or so, a creative and singular talent with a heavy AACM influence. This long-awaited release is a portent of equally impressive recordings to come.
2. La Saboteuse, Yazz Ahmed
3. Loneliness Road, Jamie Saft with Iggy Pop (yes, really)
4. Harmony of Difference, Kamasi Washington
5. Mandorla Awakening II: Emerging Worlds, Nicole Mitchell
6. Far From Over, Vijay Iyer Sextet
7. Voices in the Void, Dr. Mint
8. This is Beautiful Because We Are Beautiful People, Toxic
9. Flowers - Beautiful Life Vol. 2, Jimmy Greene
10. Cherry/Sakura, David Murray/Aki Takase

Honorable Mention: Make Noise, Jeremy Pelt.

BEST METAL ALBUM: Nightmare Logic, Power Trip. Speaking of throwbacks, this was a breakout year for the 80s-obsessed Dallas quintet. Logic augments the formula of their 2013 debut album: all-meat, axe-swinging hardcore/thrash fusion that isn't annoyingly self-serious.
Honorable Mentions: Forever, Code Orange; Dead Cross, Dead Cross.

BEST SINGLES:

"Restart," BNQT
"Human," Rag n' Bone Man
"Pressed for Time (Cross My Mind)," Mick Jenkins feat. Goldlink
"In Cold Blood," Alt-J
"Feel It Still," Portugal, The Man
"Three Rings," Grizzly Bear
"Alaska," Maggie Rogers
"No Roots," Alice Merton
"Don't Delete the Kisses," Wolf Alice
"Run," Foo Fighters
"Gold," Manchester Orchestra
"Turning the Screw," Generationals
"This Is It," Lo Moon
"Astronaut (Something About Your Love)," Mansionair
"The System Only Dreams in Total Darkness," The National


BEST VIDEOS:
1. "The Gate," Bjork. Nearly thirty years into a bold and never-not-challenging career, the Icelandic goddess and her frequent collaborator Andrew Thomas Huang keep pushing the envelope. The painstaking precision (complete with fragmented digital fairies) of this ambitious clip is a possible preview of what to expect in music videos in 2027.
2. "Wyclef Jean," Young Thug. The director of the video explains how an elaborate clip idea, based on an ode to the ex-Fugee, went completely off the rails after Thug flaked out of the shoot.
3. "The Story of O.J." Jay-Z. "I'm not black, I'm O.J." Uh, okay.
4. "Them Changes," Thundercat. Tormented samurais!
5. "Green Light," Lorde. The song is banger in its own right, but even if the dancing-in-the-streets thing is beyond cliche, Lorde makes it look fun.
6. "Up All Night," Beck. A young woman goes into Joan of Arc mode at one helluva college party.
7. "Waiting on a Song," Dan Auerbach. A Dazed and Confused homage about four 70s-era teenagers, some strong weed, and the bonds of friendship.
8. "New Rules," Dua Lipa. The #1 video based on YouTube views on this list, this pop empowerment anthem is carefully choreographed to show dancers as a unilateral voice of reason.
9. "Swell Does the Skull," Aldous Harding. Evoking Joan Baez, the clip is just a minimalist as the song: a naturally lit room, a guitar, and a voice. The guilt and yearning are palpable.
10. "Saturnz Barz," Gorillaz. Interactive videos are almost a genre unto itself, but special credit goes to this haunted house clip, where you can adjust the mise en scene as a spirit (Popcaan) hurtles the band into orbit.

Honorable Mentions: "Los Ageless," St. Vincent; "HUMBLE," Kendrick Lamar.

Best Video of 2016 That Easily Applies to 2017: "Nobody Speak," DJ Shadow feat. Run the Jewels. This is Trump's America, so I guess this is our generation's "Dr. Strangelove."

Your thoughts?

(573)