I'm not tired of the winning yet.
Last week, the Chicago Blackhawks beat the Tampa Bay Lightning 2-0 on home ice to clinch their third Stanley Cup title in recent memory. They have not only won just as many championships in six years then they did in the previous eight decades, but they've become the closest thing the NHL has to a dynasty in the post-lockout, salary cap era. In a city largely associated with sports mediocrity, "Da Hawks" have become a bright beacon of hope in a coalmine of futility. There was hardly anything to indicate ten years ago that this could ever happen to these perennial cellar-dwellers. (Of the "Original Six" NHL teams, only the Rangers have won fewer Stanley Cups.)
Unlike the deciding game in 2010 and 2013, I stayed home. I was wary of driving into the city when the nearest interstate drives right up to the stadium, especially in rush hour. It was also raining heavily, and any other plans simply never materialized. After leaving work, I ran a quick errand, took a power nap, than convened with my family to watch game 6 in our living room. It was a rare occasion for all four of us to be watching the same thing on TV, let alone the same TV. Both of my parents were on the mend --Mom had a staph infection, Dad's dizzy spells forced him to go to physical rehab-- and living at home has become more of an obligation than anything else.
Amid a growing mountain of stress, the Blackhawks have become a weird kind of constant in my life. I couldn't care less about the Cubs or White Sox, the Bears are rebuilding, the Bulls are a good team that hit a plateau before ever finding greatness, and the Fire (the soccer team, not the TV show) are all but irrelevant. This city has its problems, but the hockey team almost everyone forgot about a decade ago is not one of them. It's one thing when something once assumed impossible happens, let alone three times. May the good times roll while they last.
GO HAWKS!!!
(484)
Monday, June 29, 2015
Wednesday, June 17, 2015
A Speaker Goes Silent
An Illinois politician turned out to be corrupt? You don't say!
In my home state, anytime anyone is elected you almost have to assume they're guilty until proven innocent. It's jaded and cynical, and both the Democratic and Republican parties have hogtied opposing candidates to their alleged crimes (with mixed success) but corruption in the Land of Lincoln transcends parties and political beliefs. Everyone assumes the whole system is tainted, and we're not without reason. You start wondering about people who have no perceived history of wrongdoing, the Bruce Rauners and Jesse Whites of our upside-down little state.
Rep. Dennis Hastert, the homegrown congressman who was second in line to the Oval Office in the early and mid-2000s, is no exception. The two major charges against him seem par for the course in Illinois: he violated federal banking law and lied to the FBI. Unlike a certain attention-hog imbecile that spent six years as our governor, the reasoning behind these two charges are so sordid, you can't blame Hastert for avoiding the media.
Apparently, Hastert had relations with a teenage boy some 35-odd years ago. To cover up the sexual abuse, the small-town teacher gave this student a handsome sum of hush money. Hastert continued to pay off his victim until he apparently committed suicide in the 1990s. In the meantime, Hastert ran for public office and rose through the Republican ranks. I'd go more into detail, but certain details are being kept from the media. To make matters worse, Hastert's alleged lies to the FBI is in direct violation of the Patriot Act... which Hastert helped pass in the Autumn of 2001.
Illinois has seen its share of controversies, but never a sex scandal. In a perverse way, it brings the GOP's late '90s witch hunt of Bill Clinton full circle. As a puritanical section of the Republican Party nearly got the president kicked out of office for perjury, Speaker New Gingrich was forced to step down for past indiscretions. His immediate successor, Rep. Bob Livingston, lasted a week or so before he was caught in his own sexual imbroglio. The baton was then passed to Hastert, a square-jawed former wrestling coach who went on to become the longest-serving Speaker of the House in GOP history.
Rep. Hastert has plead not guilty, and there's a good possibility there will be a plea bargain before the former SOTHOR ever stands trail. This is more than just a fall from grace; this is a fall from decency. He wanted to protect the children, yet couldn't protect them from himself. Hastert was never the humble man without airs that was he hyped to be; he was a politician through and through. The long line of corrupt lemmings in Illinois politics just got a little bit longer, one by one jumping off a cliff of reprobate oblivion.
(483)
In my home state, anytime anyone is elected you almost have to assume they're guilty until proven innocent. It's jaded and cynical, and both the Democratic and Republican parties have hogtied opposing candidates to their alleged crimes (with mixed success) but corruption in the Land of Lincoln transcends parties and political beliefs. Everyone assumes the whole system is tainted, and we're not without reason. You start wondering about people who have no perceived history of wrongdoing, the Bruce Rauners and Jesse Whites of our upside-down little state.
Rep. Dennis Hastert, the homegrown congressman who was second in line to the Oval Office in the early and mid-2000s, is no exception. The two major charges against him seem par for the course in Illinois: he violated federal banking law and lied to the FBI. Unlike a certain attention-hog imbecile that spent six years as our governor, the reasoning behind these two charges are so sordid, you can't blame Hastert for avoiding the media.
Apparently, Hastert had relations with a teenage boy some 35-odd years ago. To cover up the sexual abuse, the small-town teacher gave this student a handsome sum of hush money. Hastert continued to pay off his victim until he apparently committed suicide in the 1990s. In the meantime, Hastert ran for public office and rose through the Republican ranks. I'd go more into detail, but certain details are being kept from the media. To make matters worse, Hastert's alleged lies to the FBI is in direct violation of the Patriot Act... which Hastert helped pass in the Autumn of 2001.
Illinois has seen its share of controversies, but never a sex scandal. In a perverse way, it brings the GOP's late '90s witch hunt of Bill Clinton full circle. As a puritanical section of the Republican Party nearly got the president kicked out of office for perjury, Speaker New Gingrich was forced to step down for past indiscretions. His immediate successor, Rep. Bob Livingston, lasted a week or so before he was caught in his own sexual imbroglio. The baton was then passed to Hastert, a square-jawed former wrestling coach who went on to become the longest-serving Speaker of the House in GOP history.
Rep. Hastert has plead not guilty, and there's a good possibility there will be a plea bargain before the former SOTHOR ever stands trail. This is more than just a fall from grace; this is a fall from decency. He wanted to protect the children, yet couldn't protect them from himself. Hastert was never the humble man without airs that was he hyped to be; he was a politician through and through. The long line of corrupt lemmings in Illinois politics just got a little bit longer, one by one jumping off a cliff of reprobate oblivion.
(483)
Tuesday, June 9, 2015
My 10th Anniversary Blog
Ten damn years.
When I wrote my first blog entry on the then-nascent TV.com in June 2005, I really wasn't sure what was the point. I was curious about the concept of having a blog, especially on a site where I was a prolific contributor yet also somewhat anonymous. I had my niche --SNL, classic sitcoms, late night TV-- and I made some acquaintances through that. The double-edged sword of CNet buying out TV Tome (and its forgetten sister site, Movie Tome) and the perception of selling out was what actually allowed the new site to become more of a community. We weren't just screen names and post totals on a lo-fi episode guide site, but human faces with human feelings. That layer of anonymity was gone, though some chose to hide behind some kind of veneer. These were halycon days, a period of unabashed nerdiness that lasted about five, maybe six years.
Of everyone that made TV.com hum in the later part of the 2000s, I'm one of the last remaining. I still enjoy the luxuries of being an editor --well, what's left of them, anyway-- though the forums and actual community has atrophied. Most of the people I knew on the site have become friends on other outlets of social media, and the Facebook group Return to TV.com has maintained the conversation in exile. It's not the same, but at least most of us have stayed in touch. The temptation to quit TV.com altogether ebbs and flows in my mind.
If this 10th anniversary blog doesn't sound that celebratory, I have two reasons why. First, I consider my anniversary with the site to be February 1st, 2003, when I launched my TV Tome account. Even though I've been the editor of the SNL episode guide almost immediately after the conversion, it was my contributions in the 2 1/2 years prior that earned that position. I built my status by being prolific in the SNL forum as well as the now-defunct sports discussion board, then submitting info to fill the gaps in Late Night and Late Show with David Letterman. I rose through the ranks at astonishing speed, making the leap from Level 1 to Level 7 within my first two weeks on the new site. Before the level-up system was more or less abandoned last year, I was on the cusp of Level 64, not anywhere near the all-time submission champ but still comfortably in the top 25.
My second reason is that I struggle to seperate my personal life from the half-assed veneer I created. This blog (which I "similcast" with TV.com from 2008 to 2012) became an outlet for me to discuss anything I wanted. My weekly updates are and always will be ramshackle; I'll talk politics one week, music the next, then those two plus my family the week after that. It goes without saying that my life is significantly different than when I was 20: I'm slogging through another temp job, both of my parents still have recurring health issues, I've been living at home a lot longer than planned, and overall I'm just forcing myself through the peaks and valleys of adulthood. On the other hand, I'm far less introverted than I was 10 years ago, my dabbles in writing, comedy and improv have become almost a part-time job onto itself, and I've finally come to terms with the fact that my radio aspirations were never meant to be. (I haven't totally ruled out voiceover work.)
Navel-gazing aside, I want to thank anyone and everyone who has ever read my blog for commenting and interacting over the past decade. I am grateful for the support of my friends and family, including the people I've never met in person that have taken a foothold in my universe. I wouldn't be doing this if I didn't think anyone was interested, and you've been vigilant and then some.
Ten damn years.
(482)
When I wrote my first blog entry on the then-nascent TV.com in June 2005, I really wasn't sure what was the point. I was curious about the concept of having a blog, especially on a site where I was a prolific contributor yet also somewhat anonymous. I had my niche --SNL, classic sitcoms, late night TV-- and I made some acquaintances through that. The double-edged sword of CNet buying out TV Tome (and its forgetten sister site, Movie Tome) and the perception of selling out was what actually allowed the new site to become more of a community. We weren't just screen names and post totals on a lo-fi episode guide site, but human faces with human feelings. That layer of anonymity was gone, though some chose to hide behind some kind of veneer. These were halycon days, a period of unabashed nerdiness that lasted about five, maybe six years.
Of everyone that made TV.com hum in the later part of the 2000s, I'm one of the last remaining. I still enjoy the luxuries of being an editor --well, what's left of them, anyway-- though the forums and actual community has atrophied. Most of the people I knew on the site have become friends on other outlets of social media, and the Facebook group Return to TV.com has maintained the conversation in exile. It's not the same, but at least most of us have stayed in touch. The temptation to quit TV.com altogether ebbs and flows in my mind.
If this 10th anniversary blog doesn't sound that celebratory, I have two reasons why. First, I consider my anniversary with the site to be February 1st, 2003, when I launched my TV Tome account. Even though I've been the editor of the SNL episode guide almost immediately after the conversion, it was my contributions in the 2 1/2 years prior that earned that position. I built my status by being prolific in the SNL forum as well as the now-defunct sports discussion board, then submitting info to fill the gaps in Late Night and Late Show with David Letterman. I rose through the ranks at astonishing speed, making the leap from Level 1 to Level 7 within my first two weeks on the new site. Before the level-up system was more or less abandoned last year, I was on the cusp of Level 64, not anywhere near the all-time submission champ but still comfortably in the top 25.
My second reason is that I struggle to seperate my personal life from the half-assed veneer I created. This blog (which I "similcast" with TV.com from 2008 to 2012) became an outlet for me to discuss anything I wanted. My weekly updates are and always will be ramshackle; I'll talk politics one week, music the next, then those two plus my family the week after that. It goes without saying that my life is significantly different than when I was 20: I'm slogging through another temp job, both of my parents still have recurring health issues, I've been living at home a lot longer than planned, and overall I'm just forcing myself through the peaks and valleys of adulthood. On the other hand, I'm far less introverted than I was 10 years ago, my dabbles in writing, comedy and improv have become almost a part-time job onto itself, and I've finally come to terms with the fact that my radio aspirations were never meant to be. (I haven't totally ruled out voiceover work.)
Navel-gazing aside, I want to thank anyone and everyone who has ever read my blog for commenting and interacting over the past decade. I am grateful for the support of my friends and family, including the people I've never met in person that have taken a foothold in my universe. I wouldn't be doing this if I didn't think anyone was interested, and you've been vigilant and then some.
Ten damn years.
(482)
Labels:
10th anniversary,
improv,
radio,
Stuart Allard,
TV.com
Wednesday, May 27, 2015
My 10th Annual Fantasy Emmy Ballot
Technically, the 2014-15 TV season doesn't officially end until June 1st. With scripted programming now running more or less year-round, early June is the thin red line for Emmy contention. It has been both a transitional and bountiful year, with longstanding Emmy favorites either bowing out and fading into old age, which a bumper crop of quality programming ready to gobble up some hardware. The nominees won't be announced for another six weeks, but I've never been afraid to jump the gun.
Supporting Actress, Comedy: Mayam Bialik, The Big Bang Theory; Julie Bowen, Modern Family; Anna Chlumsky, Veep; Allison Janney, Mom; Judith Light, Transparent; Kate McKinnon, SNL.
Supporting Actor, Comedy: Andre Braugher, Brooklyn Nine-Nine; Tituss Burgess, Unbreakable Kimmy Schmidt; Ty Burrell, Modern Family; Jesse Tyler Ferguson, Modern Family; Tony Hale, Veep; Steve Zissis, Togetherness.
Supporting Actress, Drama: Christine Baranski, The Good Wife; Christina Hendricks, Mad Men; Kate Mulgrew, Orange is the New Black; Dame Maggie Smith, Downton Abbey; Sissy Spacek, Bloodline; Cecily Tyson, How to Get Away With Murder.
Supporting Actor, Drama: Jonathan Banks, Better Call Saul; Jim Carter, Downton Abbey; Peter Dinklage, Game of Thrones; Vincent Kartheiser, Mad Men; Mandy Patinkin, Homeland; John Slattery, Mad Men.
Lead Actress, Comedy: Lena Dunham, Girls; Edie Falco, Nurse Jackie; Ellie Kemper, Unbreakable Kimmy Schmidt; Julia Louis-Dreyfus, Veep; Melissa McCarthy, Mike & Molly; Amy Poehler, Parks & Recreation.
Lead Actor, Comedy: Louie C.K. Louie; Don Cheadle, House of Lies; Matt LeBlanc, Episodes; William H. Macy, Shameless; Jim Parsons, The Big Bang Theory; Jeffrey Tambor, Transparent.
Lead Actress, Drama: Viola Davis, How to Get Away With Murder; Taraji P. Henson, Empire; Julianna Margulies, The Good Wife; Elisabeth Moss, Mad Men; Gina Rodriguez, Jane the Virgin; Kerry Washington, Scandal.
Lead Actor, Drama: Jeff Daniels, The Newsroom; Jon Hamm, Mad Men; Terrence Howard, Empire; Bob Odenkirk, Better Call Saul; Kevin Spacey, House of Cards; Dominic West, The Affair.
Best Limited Series*: "American Crime," ABC; "American Horror Story: Freak Show," FX; "The Honorable Woman," BBC/PBS; "Olive Kitteridge," HBO; "Texas Rising," The History Channel.
Best Comedy Series: "Louie," FX; "Modern Family," ABC; "Silicon Valley," HBO; "Transparent," Amazon Prime; "The Unbreakable Kimmy Schmidt," Netflix; "Veep," HBO.
Best Drama Series: "Downton Abbey," BBC/PBS; "Game of Thrones," HBO; "House of Cards," Netflix; "Mad Men," AMC; "Masters of Sex," Showtime; "Orange is the New Black," Netflix.
*new category for miniseries and limited-run shows
(481)
Supporting Actress, Comedy: Mayam Bialik, The Big Bang Theory; Julie Bowen, Modern Family; Anna Chlumsky, Veep; Allison Janney, Mom; Judith Light, Transparent; Kate McKinnon, SNL.
Supporting Actor, Comedy: Andre Braugher, Brooklyn Nine-Nine; Tituss Burgess, Unbreakable Kimmy Schmidt; Ty Burrell, Modern Family; Jesse Tyler Ferguson, Modern Family; Tony Hale, Veep; Steve Zissis, Togetherness.
Supporting Actress, Drama: Christine Baranski, The Good Wife; Christina Hendricks, Mad Men; Kate Mulgrew, Orange is the New Black; Dame Maggie Smith, Downton Abbey; Sissy Spacek, Bloodline; Cecily Tyson, How to Get Away With Murder.
Supporting Actor, Drama: Jonathan Banks, Better Call Saul; Jim Carter, Downton Abbey; Peter Dinklage, Game of Thrones; Vincent Kartheiser, Mad Men; Mandy Patinkin, Homeland; John Slattery, Mad Men.
Lead Actress, Comedy: Lena Dunham, Girls; Edie Falco, Nurse Jackie; Ellie Kemper, Unbreakable Kimmy Schmidt; Julia Louis-Dreyfus, Veep; Melissa McCarthy, Mike & Molly; Amy Poehler, Parks & Recreation.
Lead Actor, Comedy: Louie C.K. Louie; Don Cheadle, House of Lies; Matt LeBlanc, Episodes; William H. Macy, Shameless; Jim Parsons, The Big Bang Theory; Jeffrey Tambor, Transparent.
Lead Actress, Drama: Viola Davis, How to Get Away With Murder; Taraji P. Henson, Empire; Julianna Margulies, The Good Wife; Elisabeth Moss, Mad Men; Gina Rodriguez, Jane the Virgin; Kerry Washington, Scandal.
Lead Actor, Drama: Jeff Daniels, The Newsroom; Jon Hamm, Mad Men; Terrence Howard, Empire; Bob Odenkirk, Better Call Saul; Kevin Spacey, House of Cards; Dominic West, The Affair.
Best Limited Series*: "American Crime," ABC; "American Horror Story: Freak Show," FX; "The Honorable Woman," BBC/PBS; "Olive Kitteridge," HBO; "Texas Rising," The History Channel.
Best Comedy Series: "Louie," FX; "Modern Family," ABC; "Silicon Valley," HBO; "Transparent," Amazon Prime; "The Unbreakable Kimmy Schmidt," Netflix; "Veep," HBO.
Best Drama Series: "Downton Abbey," BBC/PBS; "Game of Thrones," HBO; "House of Cards," Netflix; "Mad Men," AMC; "Masters of Sex," Showtime; "Orange is the New Black," Netflix.
*new category for miniseries and limited-run shows
(481)
Saturday, May 16, 2015
Close the Door, Have a Seat
This Sunday is the series finale of "Mad Men," a show that I've been watching somewhat religiously since its third season. (I caught up with the first two in repeats.) I don't watch a lot of dramas, but the few that I do enjoy have a larger ensemble cast and an exquisite attention to detail.
What fascinates me most about "Mad Men" is the survival-of-the-fittest mentality that drives most of the action. When the series began, the setting was the Spring of 1960, and the partners of Sterling Cooper were the kings of their respective world. As the series progresses, however circumstances both within and beyond their control force them to adjust to a world that is making leaps and bounds of social progress. To an extent, the show is bifurcated between these two scenarios. The first three seasons finds the ad agency at the height of Madison Avenue's power; after getting bought out by a British firm, then find themselves on the verge of being sold again, they break off into their own independent agency again. This sets up the second half of the series, when Sterling Cooper Draper Pryce (later SCDP plus Cutler Gleason Chaough, then Sterling Cooper & Partners) is more or less a fledgling upstart with heightened competition.
Setting a TV show in the '60s also opens up the action to a feast of historical irony. Look at the clients that seek SCDP's prowess throughout the show's run: a dog food company that refuses to switch from horse meat. A swimsuit manufacturer that won't make bikinis. A southern-based chain of auto body shops expanding northward... that refuses to hire blacks. Jai alai. The agency's success is scoring major, familiar clients like Kodak or Chevrolet pales next to this imaginary graveyard of businesses that wouldn't adapt to the times. (Granted, Burger Chef lands somewhere in between...)
Above all, I'll miss the characters. Don Draper was an enigma for the ages, a man who put up the most labyrinth con in existence, but failed to maintain that double life and nearly lost everything. "Mad Men" was also about the journey of Peggy Olson, from naive secretary to jaded, savvy proto-feminist copy editor. Pete Campbell was the smug beneficiary of nepotism and old money, his greatest asset becoming his greatest character weakness. Joan Holloway Harris, who used her feminine wiles to her advantage, would eventually be trapped in the role of a sex object. Media guru Harry Crane went from office punching bag to Machiavellian tool. One of my favorite characters of all was Roger Sterling, son of the agency's co-founder and man of many vices. It wasn't until SC&P was bought out by McCann Erickson that Roger realized he basically whored himself out of being an advertising power player.
"Mad Men" was AMC's first scripted series when it bowed in the summer of 2007, and in quality and consistency it has been eclipsed only by its network neighbor "Breaking Bad." It was the tentpole of the third (maybe fourth) great era of American television, and the countless essays written about the show in recent weeks have been both insightful in substance and deserved in magnitude. (Also, thank you for "The Suitcase," the show's center point and arguably the best hour of television in the last five years.) I can't do justice to the layered performances and attention to minutiae that enthralled me over seven seasons, other than it totally enthralled me.
Next Week: my tenth annual fantasy Emmy ballot.
(480)
What fascinates me most about "Mad Men" is the survival-of-the-fittest mentality that drives most of the action. When the series began, the setting was the Spring of 1960, and the partners of Sterling Cooper were the kings of their respective world. As the series progresses, however circumstances both within and beyond their control force them to adjust to a world that is making leaps and bounds of social progress. To an extent, the show is bifurcated between these two scenarios. The first three seasons finds the ad agency at the height of Madison Avenue's power; after getting bought out by a British firm, then find themselves on the verge of being sold again, they break off into their own independent agency again. This sets up the second half of the series, when Sterling Cooper Draper Pryce (later SCDP plus Cutler Gleason Chaough, then Sterling Cooper & Partners) is more or less a fledgling upstart with heightened competition.
Setting a TV show in the '60s also opens up the action to a feast of historical irony. Look at the clients that seek SCDP's prowess throughout the show's run: a dog food company that refuses to switch from horse meat. A swimsuit manufacturer that won't make bikinis. A southern-based chain of auto body shops expanding northward... that refuses to hire blacks. Jai alai. The agency's success is scoring major, familiar clients like Kodak or Chevrolet pales next to this imaginary graveyard of businesses that wouldn't adapt to the times. (Granted, Burger Chef lands somewhere in between...)
Above all, I'll miss the characters. Don Draper was an enigma for the ages, a man who put up the most labyrinth con in existence, but failed to maintain that double life and nearly lost everything. "Mad Men" was also about the journey of Peggy Olson, from naive secretary to jaded, savvy proto-feminist copy editor. Pete Campbell was the smug beneficiary of nepotism and old money, his greatest asset becoming his greatest character weakness. Joan Holloway Harris, who used her feminine wiles to her advantage, would eventually be trapped in the role of a sex object. Media guru Harry Crane went from office punching bag to Machiavellian tool. One of my favorite characters of all was Roger Sterling, son of the agency's co-founder and man of many vices. It wasn't until SC&P was bought out by McCann Erickson that Roger realized he basically whored himself out of being an advertising power player.
"Mad Men" was AMC's first scripted series when it bowed in the summer of 2007, and in quality and consistency it has been eclipsed only by its network neighbor "Breaking Bad." It was the tentpole of the third (maybe fourth) great era of American television, and the countless essays written about the show in recent weeks have been both insightful in substance and deserved in magnitude. (Also, thank you for "The Suitcase," the show's center point and arguably the best hour of television in the last five years.) I can't do justice to the layered performances and attention to minutiae that enthralled me over seven seasons, other than it totally enthralled me.
Next Week: my tenth annual fantasy Emmy ballot.
(480)
Sunday, May 10, 2015
Through a Fifth Freshman's Eyes
May already? Where did the first third of the year go?
It's already prom season at most of the local high schools, which means graduation is in a few weeks. As I've done in past years, I've written a list that offers the world perspective of the average American high school senior, most of whom were born in either 1996 or 1997. This was inspired (or ripped off, depending on your perspective) by the "mindset list" that Beloit College releases every year. Here goes:
If you're a graduating senior...
...Hong Kong has always been part of China.
...you're used to a woman being U.S. Secretary of State.
...divorce has always been legal in Ireland.
...scientists have always been cloning farm animals.
...NASA has always been able to explore Mars.
...there has always been at least one electric car on American highways.
...there have always been Asian long-horned beetles on American soil.
...Ellen Degeneres has always been openly gay.
...you've never had a combo meal at Burger Chef.
...you've never shopped at Venture, Woolworth's, Handy Andy, Thrift Drug, or Omni Superstore.
...Steve Jobs was never been associated with any company besides Apple.
...the Freedom of Information Act has always been in effect.
...the Dow Jones Industrial Average has never been below 6,000.
...there has never been a hotel in Las Vegas called the Hacienda.
...you don't understand why '90s kids much such a big deal out of "The Simpsons."
..."South Park" and Toonami have always been on TV.
...TV has always had parental guidance ratings.
...TV has always had those little watermarks on the lower corner of the screen that tells you which network you're watching.
...Bryant Gumbel has never hosted "Today," and Bob Saget has never hosted "America's Funniest Home Videos."
...The Disney Channel has always been a basic cable channel (as opposed to, say, HBO or Showtime).
...Kobe Bryant has always played in the NBA.
...Gregg Popovich has always been head coach of the San Antonio Spurs.
...you have likely never attended a Hartford Whalers game, and there has always been an NHL team in North Carolina.
...the Florida --er, Miami-- Marlins have a tendency to win championships, then completely disembowel the team shortly after.
...Tupac Shakur, Spiro Agnew, Morey Amsterdam, Eva Cassidy, Tiny Tim, Pete Rozelle, Carl Sagan, JonBenet Ramsey, Townes Van Zandt, Deng Xiaoping, Biggie Smalls, Willem de Kooning, Allen Ginsberg, Laura Nyro, Blackstone the magician, Gianni Versace, Robert Mitchum, Jimmy Stewart, Charles Kuralt, Fela Kuti, William S. Burroughs, Brandon Tartikoff, Princess Diana, and Mother Teresa have always been dead.
Am I missing anything? I'm asking in earnest, but I understand if you don't want to add to this blighted nostalgia trip.
(479)
It's already prom season at most of the local high schools, which means graduation is in a few weeks. As I've done in past years, I've written a list that offers the world perspective of the average American high school senior, most of whom were born in either 1996 or 1997. This was inspired (or ripped off, depending on your perspective) by the "mindset list" that Beloit College releases every year. Here goes:
If you're a graduating senior...
...Hong Kong has always been part of China.
...you're used to a woman being U.S. Secretary of State.
...divorce has always been legal in Ireland.
...scientists have always been cloning farm animals.
...NASA has always been able to explore Mars.
...there has always been at least one electric car on American highways.
...there have always been Asian long-horned beetles on American soil.
...Ellen Degeneres has always been openly gay.
...you've never had a combo meal at Burger Chef.
...you've never shopped at Venture, Woolworth's, Handy Andy, Thrift Drug, or Omni Superstore.
...Steve Jobs was never been associated with any company besides Apple.
...the Freedom of Information Act has always been in effect.
...the Dow Jones Industrial Average has never been below 6,000.
...there has never been a hotel in Las Vegas called the Hacienda.
...you don't understand why '90s kids much such a big deal out of "The Simpsons."
..."South Park" and Toonami have always been on TV.
...TV has always had parental guidance ratings.
...TV has always had those little watermarks on the lower corner of the screen that tells you which network you're watching.
...Bryant Gumbel has never hosted "Today," and Bob Saget has never hosted "America's Funniest Home Videos."
...The Disney Channel has always been a basic cable channel (as opposed to, say, HBO or Showtime).
...Kobe Bryant has always played in the NBA.
...Gregg Popovich has always been head coach of the San Antonio Spurs.
...you have likely never attended a Hartford Whalers game, and there has always been an NHL team in North Carolina.
...the Florida --er, Miami-- Marlins have a tendency to win championships, then completely disembowel the team shortly after.
...Tupac Shakur, Spiro Agnew, Morey Amsterdam, Eva Cassidy, Tiny Tim, Pete Rozelle, Carl Sagan, JonBenet Ramsey, Townes Van Zandt, Deng Xiaoping, Biggie Smalls, Willem de Kooning, Allen Ginsberg, Laura Nyro, Blackstone the magician, Gianni Versace, Robert Mitchum, Jimmy Stewart, Charles Kuralt, Fela Kuti, William S. Burroughs, Brandon Tartikoff, Princess Diana, and Mother Teresa have always been dead.
Am I missing anything? I'm asking in earnest, but I understand if you don't want to add to this blighted nostalgia trip.
(479)
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